Bounce Transitions lets editors quickly bounce footage on and off the screen using realistic motion algorithms for natural bounce or spring movement. Nattress Shatter Transitions create dynamic transitions based on either breaking apart the outgoing video or bringing together the incoming video.
Featured News,
Posted 30 Jan 2013
Ripple Tools enables FCP X editors to add split screens; use 8 or 16 point mattes; add adjustment layers to control the look of multiple clips; color balance using traditional color wheels; apply vintage and black-and-white effects; move images in 3D space and use guides for aligning text and graphic elements on the screen
Featured News,
Posted 28 Jan 2013
The plug-in provides a few-clicks approach to drag a rectangular, square, round or oval shape around the most important things that has to be shown on the video
Featured News,
Posted 28 Jan 2013
The Echo Express Pro enables the use of two full-size, high-performance PCI Express expansion cards with any computer with a Thunderbolt port -- including the latest Apple iMac, Mac mini, MacBook Air, and MacBook Pro models
Featured News,
Posted 23 Jan 2013
Through this alliance, Footage.net users will be able to screen preview clips from Shutterstock's stock footage collection, and Shutterstock will reach a new and growing user base worldwide for its stock footage licensing business
Featured News,
Posted 23 Jan 2013
The partnership makes it easier for video professionals to harness Aframe's acclaimed cloud video production platform to streamline P2, AVCCAM and all file-based workflows for added efficiency and creative freedom
Featured News,
Posted 23 Jan 2013
How D2 Productions carved out a niche in the sports event video live production and streaming market by capitalizing on flexibility and mobility
Featured Articles,
Posted 21 Jan 2013
One of the most convenient new features in Final Cut Pro 10.0.6 is the ability to quickly and easily export to a single destination, or a bundle of destinations, that contain multiple outputs. In this tutorial, you learn how to create a single destination and a bundle of destinations.
Featured Articles,
Posted 18 Jan 2013
An effects package designed exclusively for use in Final Cut Pro X, Borders offers 27 great preset border effects, broken into two groups: basic borders and indented corners
Featured News,
Posted 16 Jan 2013
Mushkin 480GB Atlas now available in US for $499.99 via Newegg.com
Featured News,
Posted 16 Jan 2013
Unified Mac driver provides support for the latest Adobe, Apple and Avid editing apps for Matrox MXO2 and Matrox MXO2 MAX families of I/O devices and the Matrox Mojito MAX I/O card
Featured News,
Posted 15 Jan 2013
A new year, a new and inviting collection of video utilities from NewBlueFX, one of the leading players in the video plug-in game. In this article, we'll look at their sixth volume of plug-ins billed as "essential." Are they? Read on to find out.
Featured Articles,
Posted 11 Jan 2013
Impackt from Luca Visual FX is a collection of over 30 stylish transitions that provide editors with a wide range of dynamic and striking effects
Featured News,
Posted 09 Jan 2013
SuperSens uses the Teranex 2D Processor to digitize film and video and to reduce noise and sharpen images, improving the overall quality of the footage
Featured News,
Posted 09 Jan 2013
Latest release from Digital Tutors features a powerful lineup of tutorials that artists and members can use to create seamless and stunning work
Featured News,
Posted 03 Jan 2013
With the popularity of POV cameras like the GoPro, a lot of shooters are producing extreme wide-angle footage with a pronounced (and usually unintended) fisheye look. proDAD's just-released Defishr application provides an ingenious fisheye fix.
Featured Articles,
Posted 31 Dec 2012
PiPinator brings the power of menu-driven animation and a wealth of useful features exclusively to Final Cut Pro X editors, who can create elegant and original composites without the need for keyframing
Featured News,
Posted 21 Dec 2012
One-on-one interviews shot with two cameras pack a lot more punch than single-camera interviews, simply because they allow you to cut from two-shots of both participants to one-shots focused on the interviewee without distracting and unprofessional-looking zooms. So, how do you get that two-camera look when you've only got one camera available? This tutorial explains how, using Adobe Premiere Pro CS6 for the edit.
Featured Articles,
Posted 21 Dec 2012
With a total of 23 different block layouts already animated, Block Pop comes with 745 presets for FCP X editors to choose from
Featured News,
Posted 18 Dec 2012
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